IPHIGENEIA
the offering of the Virgin
The sacrifice of Iphigeneia, the first-born daughter of Agamemnon and
Clytaemnestra, to Artemis, is a myth as old as that of the Trojan War,
sung by Archaic epic poetry. Iphigeneia herself, however, first acquires
the tragic dimension of the suffering heroine at the hands of Euripides.
The Iphigeneia at Aulis records, in an unforgettable manner, the
feelings of the sacrificial victim towards the sacrificer.
The Greeks are assembled at Aulis, ready for the campaign. The wind
fails to blow, however, and the ships are unable to set sail. Artemis
demands the first-born daughter of the commander-in-chief. Clytaemnestra
comes from Argos, bringing Iphigeneia for a wedding that will never take
place. The army leaders demand the sacrifice. Agamemnon hesitates,
Clytaemnestra curses and Iphigeneia, singing of the joy of life, most
movingly beseeches her father and sacrificer to save her:
'Suppliant will I twine about thy knees
My body, which this mother bore to thee.
Ah, slay me not untimely.
Sweet, passing sweet, is light for men to see,
Death is but nothingness! Who prays to die
Is mad. Ill life o'erpasseth glorious death.'
Euripides, Iphigeneia at Aulis 1216-1218, 1250-1252 (Loeb edition)
At the critical moment, however, the heroine is won over. The
intervention of Achilles who, a false suitor, proves himself a true
protector, and the threat of general slaughter, make her accept death in
order to avert the pointless shedding of further blood.
'Worthier than ten thousand women one man is to look on light.
Lo, if Artemis hath willed to claim my body as her right,
What, shall 1, a helpless mortal woman, thwart the will divine?
Nay it cannot be. My body unto Hellas I resign.
Sacrifice me, raze ye Troy; for this through all the ages is
My memorial: children, marriage, glory - all are mine in this!'
Euripides, Iphigeneia at Aulis 1394-1399 (Loeb edition)
Alone, of her own free will, the maiden walks to the altar. Her
noble response exalts her, makes her an offering worthy of the
enterprise that is commencing. Liberated from the tension of guilt, the
men gave themselves up to emotion and admiration. Just as the
sacrificer's knife is approaching her throat, however, Iphigeneia
vanishes. She is taken away by Artemis and in her place a hind twitches
convulsively on the altar.
Now devoted for ever to the goddess, the Virgin, at once her victim and
her vehicle, became the priestess of her cult. The myth has it that
Artemis took Iphigeneia to the far-off land of Tauris, where she became
the sacrificer, offering up foreigners on the goddess's altar, until
Orestes arrived, pursued by the Furies for the act of matricide. Through
Iphigeneia's ruse, brother and sister deceived the barbarian queen and
returned to Greece,taking with them the sacred wooden image of the
goddess.
Iphigeneia lived the rest of her life in Attica as priestess of
Brauronian Artemis. When she died, she was honoured as a heroine and it
became the custom for the clothes of women who died in childbirth to be
dedicated to her.
|