Index ELECTRA


the woman of grief





Daughter of Agamemnon and Clytaemnestra, Electra is unknown to Homer and does not seem to have played a very important role in Archaic mythology. In the 5th century BC, however, she became one of the most important figures in the drama of the Atreidae. One of the leading characters in the Choephoroi of Aeschylus, she clearly takes the leading role in the Electra of Sophocles and the Electra of Euripides, where she is the one who pulls the strings of vengeance.

Electre As a young girl she witnessed the murder of her father and she is the one who saves her younger brother, Orestes, from Aegisthus, secretly spiriting him away from Argos. True to the memory of the dead king, her father, she does not hesitate to come into open conflict with the rulers and suffer the consequences. Imprisoned in her own home, condemned never to know the joy of love and marriage, or exiled to the hut of a poor peasant, whom she is compelled to follow in an unsuitable, humiliating marriage which is never consummated, Electra's sole hope is for the return of Orestes and vengeance. And when Orestes does return, it is Electra, like a vengeful Fury, who arms his hand and steels his spirit to kill the enemy and usurper Aegisthus, and also their own mother.

Devoted to the dead, plunged in grief, Electra lives without living, without the joy of love, without fulfilling the purpose of her nature, dedicated to vengeance. At the opposite pole to the woman Clytaemnestra stands the virgin Electra. Both are hard and unrelenting -'my heart is a hungry wolf, inherited from my mother'- but the former is the personification of a clearly negative model, while the latter represents a more positive one, at least for the period at which the tragedies were written.

Electre For with her complete faith in her father, which leads her comprehensively to deny her mother, Electra gives the clearest possible expression to the patriarchal view of relationships. It is the same view that dictates the words of Athena and Apollo in the Eumenides of Aeschylus, when they absolve Orestes of the guilt for the murder of his mother.

    'The mother of what is called her child is not its parent, but only the nurse of the newly implanted germ. The begetter is the parent, whereas she, as a stranger for a stranger, doth preserve the sprout, except God shall blight its birth. And I will offer thee a sure proof of what I say: fatherhood there may be when mother there is none. Here at hand is a witness, the child of Olympian Zeus -and not so much as nursed in the darkness of the womb, but such a scion as no goddess could bring forth.'

    Aeschylus Eumenides 659-665 (Loeb edition)

 

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From Medea to Sappho - Radical Women in Ancient Greece
Athens, National Archaeological Museum - 20 March - 30 June 1995